so beardy / and so old
Jul. 14th, 2005 10:33 amThis is a terrific little list of Harry Potter hilarity, which is welcome because after the last book I don't care about the series any longer. Wait, was that the last book? I can't remember.
(See also this post.)
More seriously, here's a good page on locations from The Conversation. The Conversation is so goddamn good you will fall over, if you haven't seen it yet. Actually maybe if you have. Unlike the Godfather, The Conversation actually does a good job of showing you a detached person (often in direct contrast with people who aren't), and focussing closely upon him. Just think if instead of the decentralised third-person-autistic viewpoint of Godfather if we had stayed always with Pacino and been able to gauge his reactions to things as reasonable and/or understandable. Ah, the very idea. Anyway, the one big fat (sonic) flaw that occurs at the end of Conversation is not enough to mar the whole piece, although it comes close. We watched it several times in our sound class in college, and indeed its soundtrack is impeccable (and also its score is highly excellent; if anyone wants a few tracks, squeak loudly). Worth it in that regard alone. An arbitrary little written bit on the movie here, although, spoilers.
Spoilers of movies for me are not as important as they are for some people, but usually it is a good thing to develop your own ideas about what's on screen. Knowing events beforehand does irrevocably change things, not necessarily in a negative way, but the thing you're watching is not the thing you would have been watching spoilerless (You know to look for events or characters; your understanding is deeper than the director counted on, on first viewing. Instead of assessing what you're shown independently, you are bound by the structure you already abstractly know). The Conversation is a good movie to watch non-presciently; some of the ideas I've read in writeups had almost no bearing on what I myself remember seeing, and although it's possible to start with what another sees and through multiple rewatchings arrive at another viewpoint, seldom do people want to put in the time and effort on this.
(See also this post.)
More seriously, here's a good page on locations from The Conversation. The Conversation is so goddamn good you will fall over, if you haven't seen it yet. Actually maybe if you have. Unlike the Godfather, The Conversation actually does a good job of showing you a detached person (often in direct contrast with people who aren't), and focussing closely upon him. Just think if instead of the decentralised third-person-autistic viewpoint of Godfather if we had stayed always with Pacino and been able to gauge his reactions to things as reasonable and/or understandable. Ah, the very idea. Anyway, the one big fat (sonic) flaw that occurs at the end of Conversation is not enough to mar the whole piece, although it comes close. We watched it several times in our sound class in college, and indeed its soundtrack is impeccable (and also its score is highly excellent; if anyone wants a few tracks, squeak loudly). Worth it in that regard alone. An arbitrary little written bit on the movie here, although, spoilers.
Spoilers of movies for me are not as important as they are for some people, but usually it is a good thing to develop your own ideas about what's on screen. Knowing events beforehand does irrevocably change things, not necessarily in a negative way, but the thing you're watching is not the thing you would have been watching spoilerless (You know to look for events or characters; your understanding is deeper than the director counted on, on first viewing. Instead of assessing what you're shown independently, you are bound by the structure you already abstractly know). The Conversation is a good movie to watch non-presciently; some of the ideas I've read in writeups had almost no bearing on what I myself remember seeing, and although it's possible to start with what another sees and through multiple rewatchings arrive at another viewpoint, seldom do people want to put in the time and effort on this.