This video is just beautiful. Cecil sent it to me, as an example of modern puppetry, but it's not just that; it's a portion of that wonderful/terrifying line-walking that I love so much.
Part of that reaction may be due to a dream I had sometime in college, which the scene in the operating room really yanked out of deep storage and into conscious memory. I'd written it down back then.
( You can read it, should you wish )zusty: That floaty hips-up and hips-down motion at the end in the operating room is really making me think of that puppet operating room dream I had
zusty: I just love it.
zusty: The gurney shot is the pinnacle though
zusty: his horrible teeth
zusty: and the multi-axis mouth motion
The way the puppeteers keep encouraging your suspension of disbelief, but then crushing it when the puppet's mouth opens too wide and abnormally deforms the face, and the way the body in the close-ups never wavers but then a cut directly to a nerd-dancing long shot-- this kind of stuff is suddenly awesome in the usually predictable world of music videos. I think there are three - possibly more, but probably not - separate puppets.
Closeup one, as seen at the beginning. Has eye, eyelid, tongue, and several mouth controls.
Full-body, as seen at the beginning and at the end. Has no finer controls.
Closeup two, as seen toward the end. Watch the way the mouth and jaw deform, and look closely at the brow, and tell me if you think it's the same as closeup one. I think it's different; maybe there was damage to the original puppet. [Addendum: two is definitely a new puppet; it has the eyebrow controls.]
Also, I can't help but think of Daleks while watching this video for
Cish Cash, which I didn't even know _had_ a video. The delicate way the tanks move their little gun barrels is extremely Dalekly to me.