That's cool; I don't think soap opera relations are necessary (or wanted) or anything; it's just that, as you say, fleshing-out probably is.
I don't think I really noticed the disallowed-from-winning concept. Maybe this is less meaningful due to the episodic/concept-driven single story nature of the beast. Failure is meaningless to those who have no continuity (no need to live with results of failure). Unless it were somewhat more structured and repetitive, I guess. If you're playing her more like a platonic concept than a human, maybe she needs more opportunities to show that? (Obviously though, as you say, you haven't gotten to do so many comics.)
I did notice that your characters were looking a lot better (more individual, less showy) later on. Continue to rock, of course.
Re: Sorry
Date: 2007-05-13 10:23 pm (UTC)I don't think I really noticed the disallowed-from-winning concept. Maybe this is less meaningful due to the episodic/concept-driven single story nature of the beast. Failure is meaningless to those who have no continuity (no need to live with results of failure). Unless it were somewhat more structured and repetitive, I guess. If you're playing her more like a platonic concept than a human, maybe she needs more opportunities to show that? (Obviously though, as you say, you haven't gotten to do so many comics.)
I did notice that your characters were looking a lot better (more individual, less showy) later on. Continue to rock, of course.