zustifer: (Jim Jarmusch)
[personal profile] zustifer
Not very spoilery review of the new Transformers movie. Whoops, all Michael Bay!
Right, no one could possibly relate to a robot, that's insane! We'd better make this about people talking to each other, instead! God, Robby (from Forbidden Planet) didn't even have a face and he had a strong personality. I don't quite know if the Transformers redesigns have faces, due to overcomplicated busy-ness, but I feel sure that humanoid robots that sustained several seasons of animated series (I don't really think anyone, of animal or machine intelligence, watched the show or 80s movie for the humans) are in fact comprehensible and differentiatable even to our puny human brains.

The article's author makes reference, amusingly and usefully, to a John Boorman quote regarding MTV editing, which he calls 'new brutalism'. (This is very cute for one very big reason, and that reason is called Zardoz. There may actually be several sub-reasons contained in it, not the least of which: the idea of the suit-wearing Brutals in the Zardoz universe being hollywood editors and producers? A-dorable.) I will not fail to integrate this term into my lexicon. Anyway, Boorman's explanation of why he's annoyed by the new brutalism probably could have been put a little better, but it's still a great term.

Date: 2007-06-28 07:13 pm (UTC)
From: [identity profile] plorkwort.livejournal.com
the idea of the suit-wearing
Brutals in the Zardoz universe being hollywood editors and producers?


Either that, or there's a herd of Boston City Halls stamping on human films -- FOREVER.
I will meditate on this at Second Level.

Date: 2007-06-28 08:08 pm (UTC)
From: [identity profile] schwa242.livejournal.com
The article's author makes reference, amusingly and usefully, to a John Boorman quote regarding MTV editing, which he calls 'new brutalism'.

One element of this that can go away right quick is "Big Chunk of Metal Flying at the Screen", usually after an explosion of some sort. My guess it is supposed to have a two-fold effect. One, it gives the audience a little jump. Two, it's a nice little edit point when putting the trailer together.

The New Brutalism

Date: 2007-06-28 08:11 pm (UTC)
From: [identity profile] urbeatle.livejournal.com
THE DOLLAR IS GOOD, THE PENIS IS EVIL.

Re: The New Brutalism

Date: 2007-06-29 03:19 am (UTC)
From: [identity profile] sanspoof.livejournal.com
The good filmmaker shoots frames, and makes new movies, which poison the earth with a plague of film.

Date: 2007-06-29 03:32 am (UTC)
From: [identity profile] mmcirvin.livejournal.com
This is how I feel about the space battles in new Battlestar Galactica. Why are they showing me simulated sloppy, abrupt pans and narrow depth of field and jerky, overshooting autofocus when there's no story reason for there to be a physical camera there? I understood it in the fake news episodes of Babylon 5.

Date: 2007-06-29 03:40 am (UTC)
From: [identity profile] sanspoof.livejournal.com
Well, the whole 'on-the-scene handheld' thing has long been shorthand for the legitimacy/immediacy of documentary or news, as you say, and presumably they wanted some of that to rub off on the battles. I guess the question is whether Those Kids Today are jarringly made aware of the presence of a 'camera' when stuff like that is pulled, or if they merely think 'yes, guerilla documentary style, realness is bumped up by fifteen percent.' I think that the implications of any given camera move or perspective are not necessarily consciously absorbed by people. It's probable that part of this (although really there's no excuse now with phones that shoot video, etc) stems from failure to understand video/film from a creator perspective, period. Kids totally need more film classes.

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